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Book review – Arborescence, by Rhett Davis

Title: Arborescence

Author: Rhett Davis

Publisher: Hachette, July 2025; RRP: $32.99

Reviewed by: Jason Nahrung

Arborescence had me hooked from the prologue, in which an unidentified ‘she’ stands unmoving in the backyard, while the narrator and someone called Travis have a brief exchange. The passage is 10 sentences long. Who is this ‘she’? Why is she standing in the rain and not caring for a brolly? If she hasn’t given up – as the narrator asserts – what is going on here?

This is Geelong-based Davis’s second novel – his first, Hovering (2022), won the 2020 Victorian Premier’s Unpublished Manuscript Award, and is now on my library list – and it fulfils the promise.

As the prologue suggests, the prose is economic and to the point, savvy, no words wasted. The first chapter is a series of vignettes that introduce the narrator Bren’s ecosystem – his mysteriously pointless job, the friends he meets at the pub, his relationship with Caelyn and their families. While the vignettes continue to feature, longer passages are introduced as the listless Bren and aimless Caelyn find something of a calling – a sense of purpose, even as the world is getting the wobbles.

As it turns out, as the blurb indicates so no spoiler here, there is a growing international movement of people turning into trees. For reasons little understood, they stand still in a spot and become at one with the planet, quite literally putting down roots. In investigating this phenomenon, Caelyn finds her direction, and Bren is pulled along in her wake.

This arborescence is contentious and challenging for the world, and in Davis’s hands becomes the entry point for topics such as the messiness of life (as opposed to the order of fictional narratives), climate change, and connections between people as well as between humanity and the natural world. For instance, says Caelyn to Bren,

(H)umans hoard and consume far more than we need just to make life slightly easier for ourselves. We will never give up anything, not really, unless we’re forced to…trees do not do this.

Those left behind by those who undergo the transformation face confusion, anger and guilt, trying not only to find a rationale for this change of being, but how to cope with a world where systems begin to break down due to population loss. Arborescence is not a simple solution, either to the stresses of modern life or the overheating of the planet – people die, directly and indirectly. As with any solution, there is a cost. Bren’s self-aware narration, leavened with dry humour and pithy observations, acknowledges this: even AI are left adrift.

There’s more, of course – Bren’s boyhood friend Miles and the comic they loved, for instance – but mostly it’s a beautiful story beautifully written about compassion and care, for each other and the planet that sustains us.

As for that ‘she’ in the backyard, well, we get to that in due course. Much like the book, it’s a moment of sadness and hope, and quite touching.

Review copy provided by the publisher

Book review – Etiquette for Lovers and Killers, by Anna Fitzgerald Healey

Title: Etiquette for Lovers and Killers

Author: Anna Fitzgerald Healey

Publisher: Fleet/Hachette; RRP: $34.99

Review by: Marian Chivers, July, 2025

This is Anna Fitzgerald Healy’s debut novel. Her writing has been featured in several literary magazines and short story anthologies. She grew up on the Maine coast (where this story is set). She now works in Los Angeles, living in a (possibly haunted) miniature castle in the Hollywood Hills.

The author writes in a letter to the reader at the beginning: “Set in my grandparents’ dilapidated Cape Cod-style house in the 60s, this story follows Billie through the woods and windswept islands of my childhood. Etiquette for Lovers and Killers is a novel like a tall, dark, nerdy stranger. A partner in crime for all the girls who couldn’t decide between the pulpy thriller or the rom-com in the bookstore. Because honestly, why can’t we have both?”

I wonder whether Anna has read much romantic suspense with period settings, Gothic thrillers like Victoria Holt’s immediately spring to mind and the like of Mary Stewart for later 20th century tales. This novel has strong elements of these with some nerdy 21st century ethos channelled into the 1960s setting. Each chapter starts with a piece of etiquette and Anna’s and Billie’s love of language is shown in the use of footnotes defining certain words and their histories. At first the footnotes annoyed (uncomfortable reminders of academic research and writing) but they started to grow on me as they showed aspects of Billie’s character and also hinted at happenings within the mystery.

Listen to an audiobook preview of Etiquette for Lovers and Killers

@ Google Play Books

Bille (Wilhelmena McCadie) is a 26-year-old virgin, qualified as an archival linguist trying to find a job but working as a seamstress in the small Maine town of Eastport in the early 1960s. She lives with her grandparents as her parents were killed in a car crash two years earlier. In the summer the tourists and the rich come to spend time in their “cottages”. Billie is bored – she’s surrounded by dull people – until an engagement ring and a cryptic love letter appear in her post box, addressed to “Gertrude”. She then meets rich, handsome Avery Webster, who owns a boat, as many of the rich characters do. Then the unsettling phone calls and visits from a man in a fedora begin. Events really start to heat up when she’s one of the last people to see Gertrude alive… and the first to see her dead.

There follows an intriguing mix of stalking, blackmail, champagne secrets and M&Ms (did you know they were first manufactured in the 1940s?). Everyone has a secret and as the body count rises and danger looms, Billie begins to suspect that she is more than a side character. Who killed Gertrude and the others? One killer or many? Just how innocent is the handsome, squeaky-clean Avery? The plot draws you in as the bodies and the suspects mount. It is written in a witty, erudite way and conveys the era well. The reader is left wondering just what Billie will accept in behaviour from this collection of characters, especially her love interest.

Marian Chivers has a lifelong interest in reading and writing with her work and study involving books from children’s literature to post graduate studies.

Review copy supplied by the publisher

The winner of the 2025 Pamela Miller Flash fiction prize is…

David McMillan with his story, Alas and Alack. Congratulations David!

Second place went to Wendie Daniels for With What Remains, and third place to Barry Kay for The Last Act.

There were 23 entries this year, on the theme of THE LAST ACT. The judges were BWI members Liam Monaghan, Cassandra Arnold, AJ Lyndon and Bruna Pomella.

Now, for your delight, here is the winning story in full:

Alas and Alack

“At last, a last act. An actual act, a finale, a finish, a final fucking finish. That’s it for me Smith. Alas, as they say, alas and alack…”

Dobson was delirious. Raving. Spittle drooled from his slack mouth.

His jaundiced face gaunt, cheekbones protruding like volcanic hills over deep valleys, pale blue irises desert billabongs ringed with dirty yellow clay.

I sat at the bedside holding his skeletal hand, muttering blandishments.

“It’s okay. I’m here. It’ll be alright. The doctor will be here soon.” 

I glanced toward the doorway, to the hospital corridor that glowed like a luminescent portal to the bright business of life, contrasting as it did with the darkened palliative care room. They called it a comfort room, comfort care. Euphemisms abounded in this place. It was furnished like a chapel, or maybe a funeral home, wood panelled walls, soft carpet, bland prints on the walls, and yet a hospital bed.

He, Dobson, would hate it, would have railed against the ersatz religious surroundings, the attempt to deny ‘the last act, the final fucking finish’ as he had ranted.

“It’s that bastard, over there.”

He squirmed in the hospital bed and tried to point toward the corner of the room where I’d hung my coat, his arms twisting, IV tubes snagging.

“Get him out of here. That bastard. Smith? Get him out of here. Smith?”

He turned to face me, untrimmed fingernails digging into the callused skin of my fist.

“I’m here mate. Don’t worry. He’s not there. It’s just you and me comrade.”
“Comrade. Yeah that’s right. We fought the good fight didn’t we.”

“We did. Didn’t we?”

“Sure, we did Dobbo.”

“Where are we Smith? Why’s it so dark? Like a bloody confessional. You sure he’s not here?”

“Who?”

“That bastard in the black cassock. You remember him don’t you. Just a minute ago in the corner. Over there.” His finger shook as he pointed to the shadows, knuckles like swollen wasp galls.

I took a teaspoon of the ice chips the nurse – the older one, not the pretty one – had brought with an expression that said, ‘I’m being kind here, you can see that, but there’s no hope’. A grim twist of the lips.

Dobbo’s lips were dry and cracked, his tongue the colour and texture of mould on cheese. He lapped at the ice greedily, bright eyes beseeching.

“You remember don’t you? The confessional. The sacristy?”

“Nah mate, that was you. You’re the ‘mick’ not me.”

“You don’t remember? The belfry?  Come up for a smoke, he said.”

“More…” I spooned ice.

Dobson swallowed and stared at me intently.

“He touched. I pushed. Surplice flapping. Gold and white. Thought he might fly like a bird. More like a stone in the end.”

“Shit, mate.”

“Yeah. Flapping in the wind like those coloured ribbons on a church fence. It’s all shit. Help me mate. I’m scared.”

Dobson closed his eyes and sighed.  His grip relaxed. His breathing stopped.

* * *

Congratulations to everyone who entered and especially to the winner once again!

Book review – Never Flinch, by Stephen King

Title: Never Flinch

Author: Stephen King

Publisher: Hachette, 2025; RRP $34.99

Reviewed by: Jason Nahrung, Ballarat Writers Inc. Book Review Group

This is my first encounter with private investigator Holly Gibney, enjoying a run as a leading character after appearances of varied standing in other volumes. She is certainly able to carry the weight, given her serious powers of deduction tempered by a deep-seated mistrust of her own abilities.

The events in the Bill Hodges trilogy and other titles contribute to the backstory here, not just for Holly but a strong supporting cast, none of whom are the cardboard sidekicks or light relief one might expect in an ensemble performance. It’s quite the juggling act, keeping all the characters in play as they are caught up in two concurrent but converging storylines.

A serial killer is on the loose in the city of Buckeye, the motivation slowly revealed as King makes us front-seat passengers in an increasingly fraught spree. Notably, King knows how much to show to engage but not repel: we see that the killer is proficient, but there is no revelling in the minutiae of the killings – they are nasty, but not gory.

Holly, while brought in by detective pal Izzy as an unofficial consultant on the puzzling case, also signs up for a tilt as bodyguard to women’s rights campaigner Kate McKay, facing death threats on her latest tour. A tour that coincides with a concert by renowned singer Sista Bessie in Buckeye. Again, we are riding shotgun with the perpetrator and the victims, adding to the tension as unsuspecting bystanders are pulled into the twin plots. To his credit, King manages to not demonise the right-to-life politics that underpin McKay’s stalker, though there’s a list of murder victims in his afterword that reminds us that that movement has spawned its share of real-life killers.

Dave Musson delves into Holly Gibney’s appearances

@ YouTube

King’s mastery of character is to the fore as he manoeuvres his cast across the board, at times split-screening his scenes with updates on key characters at the hour of the day, two trains with their passengers heading for an inevitable, lethal collision. His use of the omniscient viewpoint allows backward glances and plenty of foreshadowing – perhaps a little too much; the momentum of the story doesn’t need a lot of teasers to keep the reader wondering what will happen next.

Such is King’s skill that ignorance of Holly’s other appearances didn’t feel to diminish the experience here, though some of the references to those adventures are tantalising. Unlike those intimations, there are no supernatural elements at play here (well, maybe just a wink) – rather, twisted human obsession and guilt, with a nod to dysfunctional families and the damage they can do. Rising above that, though, is the strength of the friendships in Holly’s circle: Izzy, compadres Barbara and Jerome, and the massive character of Sista Bessie, among others.

The book may take its title from the maxim of one of the bad guys, but it’s also pretty good advice for those encountering evil, and indeed the reader of the book: as horrible as some of the events are, we are in safe hands.

Review copy provided by the publisher.

Book review – Gallagher: The Fall and Rise of Oasis, by PJ Harrison

Title: Gallagher: The Fall and Rise of Oasis

Author: PJ Harrison

Publisher: Sphere/Hachette, 2025; RRP: $3499

Review by: Frank Thompson

In the foreword for this book, legendary Rolling Stones manager Andrew Loog Oldham, through anecdote, tells us to be open to PJ (the author): “You will hit it off and he will be good for you. Just let him in.” A curious comment considering forewords set the tone for a book. It turned out to be good advice.

Ever since hearing Oasis as a teenager, Harrison has been a big fan. These days Harrison is a music industry insider. He has toured with Oasis and their crew. Originally conceived as a dual biography covering the solo careers of the Gallagher brothers, the sudden announcement of a reunion tour prompted a change of direction for the book.

Harrison’s adulation for the brothers and their music shows in his writing style, which I thought verged on the excessive in its use of superlatives. In hindsight his writing serves as a metaphor encapsulating the Oasis sound and energy. Harrison would probably use the word sonic. His track-by-track descriptions of Liam’s and Noel’s solo albums are couched in a “hip” music guru language, which I initially found tiresome. But on reflection, and heeding Oldham’s advice, I just went with the flow. And enjoyed it; after all, what’s wrong with feeling a bit Rock ’n’ Roll. Or perhaps I just need to get out more.

Oasis back on the road

@ ABC

Leaving the music facts and figures aside, the focus shifts to the Gallaghers as people rather than rock stars. These sections make the book interesting and insightful. Harrison’s writing steadies, allowing the reader to gain a better understanding of the brothers and the pressures in their lives. It is likely that Oasis’s success was largely due to the dynamics of the relationship between the brothers, a polite way of saying sibling conflict nurtured in an environment of working-class poverty. These are tough people, clearly talented but also incredibly vulnerable.

As I read this book I wondered how much of it would be a revelation for an Oasis fan. One could be cynical about Harrison’s motivation for authoring this book. But whatever his motives I found this an enjoyable and informative read, and I am glad to have had the opportunity.

Which brings me to one last oddity of this book. The first of the reunion concerts was held as I was editing this review. Indeed, Harrison admits that at the time of finalising the book he could not confirm the lineup of the band for the reunion performances. I can report that the lineup included Gem Archer, Bonehead and Andy Bell, who all previously played in Oasis.

The concert tour is sold out, I believe, but one might still ask, was it brave or optimistic of Harrison to title the book as he did.

Review copy provided by the publisher

Book review – See How They Fall, by Rachel Paris

Title: See How They Fall

Author: Rachel Paris

Publisher: Hachette 2025; RRP: $32.99

Review by: Heather Whitford Roche, Ballarat Writers Inc. Book Review Group

Rachel Paris comes to writing crime from a 20-year career in law. See How They Fall is her debut novel and has all the elements of a good ‘whodunnit.’

It’s written in the voices of Mei, a police detective, and Skye, the wife of an influential and wealthy businessman who is part of a controlling family dynasty. The story proceeds using alternating chapters from the two protagonists, and it unfolds quickly, moving at an engaging pace.

When a family dinner goes awry and results in the death of a family member and Skye’s young child in hospital, the dynamics of the dynasty begin to be in question. It’s at this stage that the credibility of the family starts to unravel. But not quickly due to the wealth and influence used by the family to stall and manipulate. Skye begins to suspect that the family and her husband are hiding something. She is thwarted by not knowing who to believe and/or who to trust.

Mei on the other hand is playing her detective role slightly outside the parameters of the game. She understands the difficulty that police corruption and the influence of wealthy people can cause within the force and has learned how to work around it. When Skye secretly speaks to her about her suspicions regarding some of her family members, Mei knows she is on the right track, but the track is not an easy one, especially when her senior officer wants to close the case.

Here more about See How They Fall at the QBD Book Club

This story has all the hallmarks of the inequalities that can exist between the wealthy and the rest of the population. The issues of family violence, mental health and sexual abuse are managed well within the framework of the story. I liked that the author told the story from a female’s perspective and honoured the way not being believed or listened to can have a devastating impact on individuals and families.

The cover of the book does not represent the strength of this work; it deserved a stronger visual. Rachel Paris (interviewed here at The Spinoff) has produced a novel with a tight plot; it’s well done and holds the tension right until the end. Crime and women’s fiction lovers will really enjoy See How They Fall.

A detective story with a difference.         

Review copy provided by the publisher. 

Book review – One Day I’ll Remember This, by Helen Garner

Title: One Day I’ll Remember This: Diaries Volume II 1987-1995

Author: Helen Garner

Publisher: Text Publishing; 2022  

Review: Frank Thompson, Ballarat Writers Inc. Book Review Group

The name Garner came up recently in relation to a celloist at this year’s CresFest.  A friend suggested the celloist was probably Helen Garner’s daughter. And then went on to reminisce about life in inner Melbourne suburbs in the late sixties and early seventies, suggesting she knew people like the characters in Helen’s debut novel, Monkey Grip.

I vaguely remembered the name and must confess I have not read any of her actual works. With my curiosity piqued, I couldn’t resist the Helen Garner diary I spotted in a favourite bookshop. This review is mostly about that diary, which as it turns out is the middle volume of a three-volume set covering Helen’s life from 1978 to 1998*.

The three diaries are similar in layout, arranged chronologically, though the individual entries are not dated.  Various characters are represented by a single capital letter. A couple of notable people, such as fellow writer Elizabeth Jolley, are mentioned by name – is this name dropping? And some people, such as members of Helen’s family, are referenced by their relationship, e.g., ‘My Sister’ (which is confusing because I believe she has four sisters).  

The diaries are written as a series of slivers of Helen’s life, each presented separately. Not simple jottings or notes but vignettes – dreams observations, anecdotes, meetings and assignations, conversations had and overheard (two young lads talking on a tram) – all very personal and revealing.

At first the entries seem a random selection, with no context. The absence of a timeline accentuates this impression. Some entries are linked, dealing with the same topic and run through the three books – Helen’s relationship with V, for example. This thread goes from early meetings, to growing involvement, to marriage and finally to separation.  It gives the books a story with momentum.

Discussing Monkey Grip

@ The Wheeler Centre

While these diaries are revealing, I would not call them a warts-and-all disclosure, certainly not grubby, no bleeding hearts or character assassinations. One cannot help wondering if much editing and filleting was done to the original handwritten entries.  

I found the writing to be deceptively simple, everyday words exquisitely arranged, affording intimacy and familiarity. Perhaps why I’m using Helen and not Garner.

Diaries contain one’s innermost thoughts and observations, windows to the inner workings of one’s life. Perhaps, reading other people’s stirs the hidden voyeur in us. The opportunity to see what really goes on behind a public image. And these diaries are about Helen’s life, there is not a lot of talk about her writing: a few entries and snippets here and there. I guess writing for a writer is work, not life.

I enjoyed reading these diaries especially the middle one. Not just for what I learned about Helen but for what I learned about myself. And those lessons … well, you will have to wait and see if I publish my diaries.

* The others being Yellow Notebook: Diaries Volume I 1978-1987 and How to End a Story: Diaries Volume III 1995-1998

Book review — The Secret Year of Zara Holt, by Kimberley Freeman

Title: The Secret Year of Zara Holt

Author: Kimberley Freeman

Publisher: Hachette, 2025; RRP: $32.99

Reviewed by: Jason Nahrung

I haven’t kept up with Kimberley Freeman’s work since her debut, Duet – this is her eighth, falling into the publishing category of ‘women’s fiction’. Which is to say, stories about women making their own way in the world with a good dose of relationship struggle to boot. While Duet was a ripper read, my tastes swing more towards speculative and climate fiction, the former being the oeuvre of Freeman’s alter ego, Kim Wilkins. Wilkins, a powerhouse in the Australian writing scene, is also an accomplished academic based in Brisbane, and one can imagine the fun she had researching the subject matter for Zara Holt (drawing on Zara’s memoir as a key source). There must have been some interesting choices about what to keep, what to leave, what to imagine, what to leave unsaid, given that Dame Zara Bate DBE died in 1989 but has family still, on top of the rich life she led.

Which is the reason this book caught my attention: something of a departure from previous outings, in being an imagined story of real people. Zara Dickins’ second husband, Harold Holt, is perhaps best known for embracing ‘all the way with LBJ’ – which surfaces here – and his death by drowning just shy of two years into his prime ministership, his body never recovered, the enduring mystery of which infuses this novel and inspires its title. But what about Zara?

A quick read of a couple of biographies reveals an accomplished businesswoman and creative talent, an exemplary partner to a government minister and prime minister, and wife who suffered through the serial cheating of her renowned husband.

Freeman centres her fictionalised tale on the Harry-Zara axis, an enduring if turbulent love affair that stretched from first meeting as teenagers to tragic end, with all the travails between. The history is told primarily in the first person, a retrospective with flaws and all. For instance, the attraction with Harry endures through Zara’s first marriage, to English soldier James Fell, with Zara adapting to the role of a colonial wife in India. Then comes the aftermath of her marriage’s explosive end, leaving her essentially a single mother raising three sons.

Learn more about the life of Zara Holt

@ Nightlight, on the ABC

But The Secret Year… is more than a love story. Unfolding between 1927 and 1968, the novel has room to explore the challenges faced by Zara and her best friend, Betty, as they establish their own fashion business as single women (and resurrecting it later), how they navigate the social mores of the times, and how Zara steps out of Harry’s shadow. A highlight is a speech given at a ladies’ charity function in which, after providing encouragement for women to make their own way, she invites the attendees to come chat, but ‘please don’t call me Mrs Holt. I’m Zara.’

Adding dimension to the star pair’s fire-and-ice relationship is a well-drawn supporting cast of family and friends, and the period settings – life in Melbourne, Canberra and India, the various overseas and interstate locations – which offer sufficient details to not only give a feeling for time and place but add to the characters’ stories. Celebrity moments both dull and exhilarating, jet lag, inspiring local fashions, all frame the environment in which the Holts were moving.

As the tragedy of Cheviot Beach looms closer, Freeman picks up the pace, skipping across highlight events. Meeting US President Lyndon Johnson and his wife, Birdie; attending the coronation of Queen Elizabeth II; hosting the Johnsons amid the tumult of the Vietnam War … touchstones revealing the Holts’ relationship, Zara’s handling of her husband’s career and infidelities, and the impact on her own life and career.

And then, there’s Harry’s disappearance while swimming, one of his flames a witness. The aftermath provides a poignant imagining of Zara’s response, one we won’t reveal here, sufficient to say it captures the heart of the story beautifully.

The strength of The Secret Year… is the ring of honesty in its depictions of these lives writ large yet grounded in very human challenges, a slice of history most assuredly all dressed up with somewhere to go.

>> Jason Nahrung is a Ballarat-based writer and editor. www.jasonnahrung.com

Review copy provided by the publisher

Pamela Miller Annual Flash Fiction Prize 2025

Ballarat Writers are delighted to announce that, once again, the Pamela Miller Prize will be taking place this year:

What is the Pamela Miller Prize? It’s an annual Flash Fiction competition launched in 2015 in memory of the late Pamela Miller, who was a prolific supporter (and winner!) of the flash fiction contest as well as of BWI in general. It’s for BWI members only.

What do I have to do to enter? Send in a short story of maximum 500 words plus title (there is no minimum) on the theme of THE LAST ACT. You can choose any title you like as long as it fits the theme, or you can just use the theme title.

When must I submit? Submissions will be open between 1st and 30th June this year. The deadline for submissions will be midnight (Melbourne Time) on 30th June.

How should I submit? Send in your piece of Flash Fiction to Roland Renyi, this year’s competition co-ordinator, at roland@opencitylimited.com

Are there any rules for submitting? Yes, leave your name off the submitted story when you email it to Roland. Your name should be on the covering email only. Send it in Word or pdf in a 12 point font, single or double spaced as you wish. Oh yes, and don’t write more than 500 words (I already said that). Entries of more than 500 words or with the author’s name in the main document will not be accepted.

Why should I enter? That’s an easy one! The winning entry will receive a prize of $100 and the runner-up will get an honourable mention!

When will the winning entries be announced? At our Ballarat Writers’ get together on 30th July. If you cannot attend, the winner and runner up will be announced on our web site and contacted. The winning entry will be published in our newsletter and on our web site.

In other words, it’s a no-brainer (not the stories, of course). 500 words can easily be written in a day and Flash Fiction is all about quality, not quantity – it’s the love that you put into it that will make it special!

For any enquiries, contact Roland at roland@opencitylimited.com

The contest is now closed. Read the winning entry here: https://ballaratwriters.com/blog/the-winner-of-the-2025-pamela-miller-flash-fiction-prize-is/

Book review – Vanish, by Shelley Burr

Title: Vanish
Author: Shelley Burr
Publisher: Hachette, 2025; RRP: $34.99
Review by: Marian Chivers, May, 2025

The author: Shelley Burr grew up on Newcastle’s beaches, her grandparents’ property in Glenrowan and on the road between the two. She is also studying sustainable agriculture and working to establish a small permaculture farm. Her debut novel Wake won the prestigious UK Crime Writers’ Association’s Debut Dagger Award (for unpublished novelists) in 2019. When published in 2023, it was a Top Five bestseller winning Australian crime fiction awards. Her second novel, Ripper, went straight to Number One on the Australian Fiction Bestseller list and was shortlisted for two Australian crime fiction awards. Vanish is Burr’s third book in the Lane Holland series and can be enjoyed as a stand-alone novel.

The book: Lane Holland’s crime-solving career ended the day he went to prison. As his parole hearing approaches, he faces the grim reality that an ex-con can never work as a private investigator. Yet one unsolved case continues to haunt him: the disappearance of Matilda Carver two decades ago.

Lost souls are drawn to the Karpathy farm near Albury Wodonga in the hope of a new life. Some stay. Some leave. Some are never heard from again. Through a series of fortuitous events, Lane is able to get work release at the Karpathy farm, enabling him to investigate Matilda’s last known location. Is the farm a cult, commune or something else? Did those who vanished choose to disappear or did they meet some fatal end? Lane’s time at the farm begins with flood and ends with bushfire; the Australian countryside featuring as another worthy character.

Shelley Burr on the inspiration for Ripper (aka Murder Town)

@ Authors on the Air, Global Radio Network

Vanish is a solid example of Australian noir with enough red herrings and plot twists to keep the reader guessing. Burr’s writing is clean and the story demands the turning of the page to find out what happens next.

I have read all three of Burr’s books and each story can be read alone. The thread of Lane Holland’s tale provides a strong link between them all if read in order. A surprise return of a character from one of the previous novels helps to provide a satisfying ending while providing a hint of future possibilities for Lane’s investigative skills.

Marian Chivers has a lifelong interest in reading and writing with her work and study involving books from children’s literature to post graduate studies.

Review copy provided by the publisher

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