Tag: thriller

Book review — The Vanishing Place, by Zoë Rankin

Title: The Vanishing Place

Author: Zoë Rankin

Publisher: Moa Press/Hachette, 2025; RRP: $34.99

Review by: Marian Chivers, August, 2025

THE AUTHOR

Zoë Rankin grew up in Scotland.  She studied International Relations before going on to qualify as a teacher. Zoë spent many years travelling in Europe, Asia, the Middle East and Africa, eventually settling in New Zealand. Her father was in mountain rescue in Scotland, so her passion for the outdoors grew from a young age. She spends a lot of time hiking and cycling with her two young children in NZ, and the more remote locations inspired the idea for The Vanishing Place.

THE BLURB

On the remote West Coast of the South Island of New Zealand, vast forests stretch out between mountain ranges and rugged beaches. In the small town of Koraha, not a lot happens – until a young girl with blood on her hands walks out of the bush and into the local store, collapsing from hunger to the floor.

She can’t – or won’t – speak to anyone.  It’s the town’s sole policeman who recognises her face. She looks exactly like a local girl who disappeared seventeen years ago. She has the same red hair, the same green eyes

What horrors has she left behind in the bush? Who will come looking for her? And what secrets are about to come to light?

THE BOOK

This thriller drew me in and left me feeling unsettled as it tells how those closest to you can be even more dangerous than the deadliest wilderness. Rankin draws the reader into the rugged Isle of Skye and the unforgiving but beautiful West Coast of NZ. This, her debut novel, is an atmospheric and chilling tale about family, love, loyalty and survival.

The story jumps between three different time periods. Most of the book alternates between Effie’s childhood (the child who disappeared) and her present-day circumstances when she is called back for the child (Anya) who has appeared from the bush, the one who looks just like her. The back and forth can be a little disruptive but really makes the past and the present come together when the finale is reached and everyone is safe – or are they?

A well written, evocative and downright scary story because such things have happened, are probably happening now, and sadly will continue to occur.

Marian Chivers has a lifelong interest in reading and writing with her work and study involving books from children’s literature to post graduate studies. 

> Review copy supplied by the publisher.

Book review — The Underhistory, by Kaaron Warren

Title: The Underhistory

Author: Kaaron Warren

Publisher: Viper/Profile Books, 2024; RRP: $32.99

For the twenty or so years I’ve been kicking around in the Australian speculative fiction scene, Kaaron Warren has been been at the forefront with her long and short fiction, earning accolades here and abroad for her skilful exploration of the dark side of human experience – supernatural or otherwise. She also has a knack for taking everyday objects and surroundings and finding a cracking story. For example, two years ago she won the AsylumFest ghost short story competition with a story inspired by an inscription in a  book salvaged at a thrift store.

The Underhistory was, according to the author’s notes in the book, spawned in a collection of post cards similarly rescued and provided by a friend.

The result is an utterly compelling crime story taking place in a notionally haunted house.

Our protagonist is Pera, who has rebuilt her family home following its tragic destruction when she was nine. Killed in the incident were her immediate family, the visiting prime minister and others besides. Pera was the sole survivor, the tragedy following her through her life since. The isolated rural mansion has many rooms, and this is one of the highlights of the novel: Pera conducts ghost tours, the prefect way to reveal not only the eclectic rooms of the home and its grounds to the reader, but a guided tour to key moments in Pera’s life.

An interview with Kaaron Warren

@ the horror writers association

On the occasion of the story, the 60-odd-year-old host is showing a small group through the house when  a carload of interlopers arrives. Tension ramps up as Pera quickly divines their background, their reason for being there, and the threat they pose to her guests, herself and her home. As the lone  survivor, she does not take such threats lying down, and her psychological battle with the intruders is a masterpiece of characterisation.

The propensity for violence of the interlopers is writ large for the reader in italic sections that I am still of two minds about, as they perhaps undermine the claustrophobic tension of the story – Pera’s reaction to them, and the deft characterisation, convey the sense of compounding threat. And yet, it is the mention of these men early that sets the scene for the reader and provides an undercurrent of tension ahead of the inevitable meeting and resultant game of cat and mouse,. What is more effective: the known violence, or the inferred? A question for book clubs everywhere, perhaps. One thing is certain: Pera, long acquainted with death, is no mouse.

The mansion, with its multiple floors, secret compartments, and basement of mysteries (the Underhistory of the title), is slightly reminiscent of the Winchester Mystery House in the US, while the interlopers bring to mind the emotionally stunted specimens of the Australian movie The Boys, one of the most harrowing dramas I’ve come across.

This is a cleverly composed story, a hostage drama in a can with the house itself part of the narrative structure in both present and past. Combined with Warren’s knack for description and characterisation, it’s a fabulous read. Given The Underhistory has been published by houses with heft, it can only be hoped that the novel may introduce Warren to a deservedly broader audience.

Reviewed by: Jason Nahrung

Ballarat Writers Inc. Book Review Group

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