Tag: Pamela Miller

The winner of the 2024 Pamela Miller Flash Fiction prize is…

Richenda Rudman with her entry, The Seventh Son. Congratulations, Richenda!

The award was announced at the Members’ Night on 31st July.

Sixteen entries were received for the members-only contest on the theme this year of FIRE. The judges were members of the Ballarat Writers committee: Darren Rout, Phil Green, Cassandra Arnold and Bev Foster.

Now, for your delight, here is her winning story:

The Seventh Son

by Richenda Rudman

Children burned when he had a day off.

Chief Blayney realised this an hour into correlating rosters with fires and casualties; it was like condensation being wiped off a window. When Roy Allstock was working, children were saved from fires.

Allstock, always last man out, jogged from buildings sheathed in flames, carrying children, seconds before the buildings collapsed and embers shot like crazed stars into the smoke-dark sky.

‘How the hell did he get them out?’ Blayney asked his deputy as they walked across blackened ground, where an iron bed frame was twisted into a chaotic ringlet. The deputy shrugged. ‘They should be dead.’

* * *

Roy Allstock was an experienced firefighter when he joined Blayney’s platoon in Cranston; he worked hard, said little, was neither tall or short, plain or handsome.

One afternoon in the dayroom, between a card game and newspapers, the conversation turned to families. Allstock said he was the second youngest of eight kids, the last boy before the only girl in the family.

‘Your mother must have been pleased.’ Blayney said.

‘Yeh, she was. Strange, my father was the seventh son, too.

‘Funny how these things run in families.’

Before a seed from memory germinated in Blayney’s head, the discussion ended when they were called out to a fire.

According to the plump wheezing woman living next door, a woman and two little boys lived in the house. ‘The mother’s a drinker. Neglects the kids. I reckon she’s nodded off and dropped her ciggy!’

Another firefighter and Allstock entered the blazing building, while the rest of the crew attacked the fire from outside.  

The woman, coughing, emerged in the clutch of Allstock’s partner, but the height of the flames was fast becoming uncontrollable and Blayney’s gut sank as he looked at the fiery wall. Then he saw it: Allstock appeared, carrying a child on each hip as easily as if they were small clouds. Blayney looked as closely as the smoke and heat would allow, at how the fire was set apart from Allstock and the children, as if a thick and cooling membrane surrounded them. And despite the chaos, Allstock appeared to be calmly talking.

Blayney had to pull the wheezy neighbour off the dazed mother and didn’t recall Allstock’s actions until a final piece in the mosaic of Allstock’s abilities was provided by a child’s drawing.

The newly sober woman and two little boys visited the fire station, where the older child had drawn a picture of a firefighter carrying them out of the fire.

‘Looks like Allstock,’ one of the men said.

Allstock ruffled the boy’s hair. ‘That’s a great drawing!’

‘Yes,’ said the boy. ‘It’s you telling the fire to stay away from us.’

Everyone laughed, except Allstock, who gave a small smile.

And then the seed in Blayney’s head sprouted. The old tale was true: the seventh son of a seventh son talks to fire. And the fire listens.

* * *

Pamela Miller Prize 2023 Winning Story

The Artist

by Nicole Kelly

Her hands are assured and confident. A skilled professional. 

“An artist for the modern world—truly exceptional” – The Age 

His skin is soft and doughy in her hands. He is a monster of a man, but his bulk seems less imposing now he lays prostrate on the studio floor, leaking into every corner of her tiny room. This is the place where she feels capable—not scared and cowering.  

The stark white of his nakedness catches the golden glow of the moonlight from outside, which streams through the window, lighting her work.  

 “What Mallard can do with a piece of lino is astounding. Her cuts are sharp and clean; the resulting pieces have both imagination and darkness. – The Art Review 

The small scalpel resting in her hand is her favourite, handle smooth from use. She uses the familiar blade to create the distinct, intricate patterns in hard linoleum squares. Swift, sure cuts to make thick, intersecting lines.  

“Mallard’s designs are sharp, witty and astute. Just when you think you know her work, she turns it, and you, on your head.” – H. Golding (Reviewer) 

Her artist’s mind opens her to the exquisite beauty around her. A dawn sky greeting her after a night of frenetic creation. The same shades of pink and purple which he patterned across the tops of her arms when she said she would leave.  

He had stolen her voice. Left her to only speak through her work. So now he is her canvas. 

“Mallard is an expert in making us feel. Feel something. Feel anything. Feel everything.” – National Gallery 

She reaches her hands deep into his chest cavity. The space she has opened in her husband, expecting to find only emptiness. She cradles the lump of muscle which had once drummed the rhythm of life in his chest. Each beat of his heart marking time, as his fists slammed into her in a syncopated tempo.  

‘There is both fragility and strength in Mallard’s pieces. When you see the strength of her lines contrasting with the whimsical nature of her prints.’ – Art Links Magazine 

They were the inverse of each other. Her and him. She had loved his strength and he her fragility. Until her own strength emerged, growing more potent with every success. His fear drove him to hold on tighter. Until his hands became a noose around her neck.  

 “In her hands, everything is art.” – Art Monthly 

She dips her finger in the sticky liquid, thick as honey. Scrawls her initials across the bare wall above where he lay. She smiles. No matter their reviews, the world will be sure that she is the artist. 

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