Tag: Pamela Miller

The winner of the 2025 Pamela Miller Flash fiction prize is…

David McMillan with his story, Alas and Alack. Congratulations David!

Second place went to Wendie Daniels for With What Remains, and third place to Barry Kay for The Last Act.

There were 23 entries this year, on the theme of THE LAST ACT. The judges were BWI members Liam Monaghan, Cassandra Arnold, AJ Lyndon and Bruna Pomella.

Now, for your delight, here is the winning story in full:

Alas and Alack

“At last, a last act. An actual act, a finale, a finish, a final fucking finish. That’s it for me Smith. Alas, as they say, alas and alack…”

Dobson was delirious. Raving. Spittle drooled from his slack mouth.

His jaundiced face gaunt, cheekbones protruding like volcanic hills over deep valleys, pale blue irises desert billabongs ringed with dirty yellow clay.

I sat at the bedside holding his skeletal hand, muttering blandishments.

“It’s okay. I’m here. It’ll be alright. The doctor will be here soon.” 

I glanced toward the doorway, to the hospital corridor that glowed like a luminescent portal to the bright business of life, contrasting as it did with the darkened palliative care room. They called it a comfort room, comfort care. Euphemisms abounded in this place. It was furnished like a chapel, or maybe a funeral home, wood panelled walls, soft carpet, bland prints on the walls, and yet a hospital bed.

He, Dobson, would hate it, would have railed against the ersatz religious surroundings, the attempt to deny ‘the last act, the final fucking finish’ as he had ranted.

“It’s that bastard, over there.”

He squirmed in the hospital bed and tried to point toward the corner of the room where I’d hung my coat, his arms twisting, IV tubes snagging.

“Get him out of here. That bastard. Smith? Get him out of here. Smith?”

He turned to face me, untrimmed fingernails digging into the callused skin of my fist.

“I’m here mate. Don’t worry. He’s not there. It’s just you and me comrade.”
“Comrade. Yeah that’s right. We fought the good fight didn’t we.”

“We did. Didn’t we?”

“Sure, we did Dobbo.”

“Where are we Smith? Why’s it so dark? Like a bloody confessional. You sure he’s not here?”

“Who?”

“That bastard in the black cassock. You remember him don’t you. Just a minute ago in the corner. Over there.” His finger shook as he pointed to the shadows, knuckles like swollen wasp galls.

I took a teaspoon of the ice chips the nurse – the older one, not the pretty one – had brought with an expression that said, ‘I’m being kind here, you can see that, but there’s no hope’. A grim twist of the lips.

Dobbo’s lips were dry and cracked, his tongue the colour and texture of mould on cheese. He lapped at the ice greedily, bright eyes beseeching.

“You remember don’t you? The confessional. The sacristy?”

“Nah mate, that was you. You’re the ‘mick’ not me.”

“You don’t remember? The belfry?  Come up for a smoke, he said.”

“More…” I spooned ice.

Dobson swallowed and stared at me intently.

“He touched. I pushed. Surplice flapping. Gold and white. Thought he might fly like a bird. More like a stone in the end.”

“Shit, mate.”

“Yeah. Flapping in the wind like those coloured ribbons on a church fence. It’s all shit. Help me mate. I’m scared.”

Dobson closed his eyes and sighed.  His grip relaxed. His breathing stopped.

* * *

Congratulations to everyone who entered and especially to the winner once again!

Pamela Miller Annual Flash Fiction Prize 2025

Ballarat Writers are delighted to announce that, once again, the Pamela Miller Prize will be taking place this year:

What is the Pamela Miller Prize? It’s an annual Flash Fiction competition launched in 2015 in memory of the late Pamela Miller, who was a prolific supporter (and winner!) of the flash fiction contest as well as of BWI in general. It’s for BWI members only.

What do I have to do to enter? Send in a short story of maximum 500 words plus title (there is no minimum) on the theme of THE LAST ACT. You can choose any title you like as long as it fits the theme, or you can just use the theme title.

When must I submit? Submissions will be open between 1st and 30th June this year. The deadline for submissions will be midnight (Melbourne Time) on 30th June.

How should I submit? Send in your piece of Flash Fiction to Roland Renyi, this year’s competition co-ordinator, at roland@opencitylimited.com

Are there any rules for submitting? Yes, leave your name off the submitted story when you email it to Roland. Your name should be on the covering email only. Send it in Word or pdf in a 12 point font, single or double spaced as you wish. Oh yes, and don’t write more than 500 words (I already said that). Entries of more than 500 words or with the author’s name in the main document will not be accepted.

Why should I enter? That’s an easy one! The winning entry will receive a prize of $100 and the runner-up will get an honourable mention!

When will the winning entries be announced? At our Ballarat Writers’ get together on 30th July. If you cannot attend, the winner and runner up will be announced on our web site and contacted. The winning entry will be published in our newsletter and on our web site.

In other words, it’s a no-brainer (not the stories, of course). 500 words can easily be written in a day and Flash Fiction is all about quality, not quantity – it’s the love that you put into it that will make it special!

For any enquiries, contact Roland at roland@opencitylimited.com

The contest is now closed. Read the winning entry here: https://ballaratwriters.com/blog/the-winner-of-the-2025-pamela-miller-flash-fiction-prize-is/

The winner of the 2024 Pamela Miller Flash Fiction prize is…

Richenda Rudman with her entry, The Seventh Son. Congratulations, Richenda!

The award was announced at the Members’ Night on 31st July.

Sixteen entries were received for the members-only contest on the theme this year of FIRE. The judges were members of the Ballarat Writers committee: Darren Rout, Phil Green, Cassandra Arnold and Bev Foster.

Now, for your delight, here is her winning story:

The Seventh Son

by Richenda Rudman

Children burned when he had a day off.

Chief Blayney realised this an hour into correlating rosters with fires and casualties; it was like condensation being wiped off a window. When Roy Allstock was working, children were saved from fires.

Allstock, always last man out, jogged from buildings sheathed in flames, carrying children, seconds before the buildings collapsed and embers shot like crazed stars into the smoke-dark sky.

‘How the hell did he get them out?’ Blayney asked his deputy as they walked across blackened ground, where an iron bed frame was twisted into a chaotic ringlet. The deputy shrugged. ‘They should be dead.’

* * *

Roy Allstock was an experienced firefighter when he joined Blayney’s platoon in Cranston; he worked hard, said little, was neither tall or short, plain or handsome.

One afternoon in the dayroom, between a card game and newspapers, the conversation turned to families. Allstock said he was the second youngest of eight kids, the last boy before the only girl in the family.

‘Your mother must have been pleased.’ Blayney said.

‘Yeh, she was. Strange, my father was the seventh son, too.

‘Funny how these things run in families.’

Before a seed from memory germinated in Blayney’s head, the discussion ended when they were called out to a fire.

According to the plump wheezing woman living next door, a woman and two little boys lived in the house. ‘The mother’s a drinker. Neglects the kids. I reckon she’s nodded off and dropped her ciggy!’

Another firefighter and Allstock entered the blazing building, while the rest of the crew attacked the fire from outside.  

The woman, coughing, emerged in the clutch of Allstock’s partner, but the height of the flames was fast becoming uncontrollable and Blayney’s gut sank as he looked at the fiery wall. Then he saw it: Allstock appeared, carrying a child on each hip as easily as if they were small clouds. Blayney looked as closely as the smoke and heat would allow, at how the fire was set apart from Allstock and the children, as if a thick and cooling membrane surrounded them. And despite the chaos, Allstock appeared to be calmly talking.

Blayney had to pull the wheezy neighbour off the dazed mother and didn’t recall Allstock’s actions until a final piece in the mosaic of Allstock’s abilities was provided by a child’s drawing.

The newly sober woman and two little boys visited the fire station, where the older child had drawn a picture of a firefighter carrying them out of the fire.

‘Looks like Allstock,’ one of the men said.

Allstock ruffled the boy’s hair. ‘That’s a great drawing!’

‘Yes,’ said the boy. ‘It’s you telling the fire to stay away from us.’

Everyone laughed, except Allstock, who gave a small smile.

And then the seed in Blayney’s head sprouted. The old tale was true: the seventh son of a seventh son talks to fire. And the fire listens.

* * *

Pamela Miller Prize 2023 Winning Story

The Artist

by Nicole Kelly

Her hands are assured and confident. A skilled professional. 

“An artist for the modern world—truly exceptional” – The Age 

His skin is soft and doughy in her hands. He is a monster of a man, but his bulk seems less imposing now he lays prostrate on the studio floor, leaking into every corner of her tiny room. This is the place where she feels capable—not scared and cowering.  

The stark white of his nakedness catches the golden glow of the moonlight from outside, which streams through the window, lighting her work.  

 “What Mallard can do with a piece of lino is astounding. Her cuts are sharp and clean; the resulting pieces have both imagination and darkness. – The Art Review 

The small scalpel resting in her hand is her favourite, handle smooth from use. She uses the familiar blade to create the distinct, intricate patterns in hard linoleum squares. Swift, sure cuts to make thick, intersecting lines.  

“Mallard’s designs are sharp, witty and astute. Just when you think you know her work, she turns it, and you, on your head.” – H. Golding (Reviewer) 

Her artist’s mind opens her to the exquisite beauty around her. A dawn sky greeting her after a night of frenetic creation. The same shades of pink and purple which he patterned across the tops of her arms when she said she would leave.  

He had stolen her voice. Left her to only speak through her work. So now he is her canvas. 

“Mallard is an expert in making us feel. Feel something. Feel anything. Feel everything.” – National Gallery 

She reaches her hands deep into his chest cavity. The space she has opened in her husband, expecting to find only emptiness. She cradles the lump of muscle which had once drummed the rhythm of life in his chest. Each beat of his heart marking time, as his fists slammed into her in a syncopated tempo.  

‘There is both fragility and strength in Mallard’s pieces. When you see the strength of her lines contrasting with the whimsical nature of her prints.’ – Art Links Magazine 

They were the inverse of each other. Her and him. She had loved his strength and he her fragility. Until her own strength emerged, growing more potent with every success. His fear drove him to hold on tighter. Until his hands became a noose around her neck.  

 “In her hands, everything is art.” – Art Monthly 

She dips her finger in the sticky liquid, thick as honey. Scrawls her initials across the bare wall above where he lay. She smiles. No matter their reviews, the world will be sure that she is the artist. 

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