Tag: Young Adult

Book review – Borderland, by Graham Akhurst

Title: Borderland

Author: Graham Akhurst

Publisher: UWA Publishing, October 2023; RRP: $22.99

The hidden Chosen One trope is as old at least as Arthur, especially in the Young Adult realm, but Graham Akhurst gives it fresh poignancy in his debut novel by using the frame of the Stolen Generations and colonial displacement. In fact, the non-fantastical elements of Borderland are where the tale strikes deepest, the horror elements familiar and the narrative trajectory treading a well-worn path of discovery, mentorship and challenge.

Our hero is Jono, a First Nations lad raised in Brisbane with no knowledge of his mob or Country, his family’s past either not known or obscured by his loving single mum who is, one suspects, battling her own demons. In an echo of the acclaimed TV series Cleverman, Jono is embroiled in a journey of discovery that reveals far more than he could ever have expected about the world and his place in it.

The story opens with Jono feeling like the odd one out, he and his long-time friend, Jenny, graduating as the two Indigenous kids on a scholarship at a prestigious high school. That the discrimination comes not only from classmates either ignorant or jealous but also other blackfellas, who brand him a ‘coconut’, is telling. Hell, even magpies give him a rough time, even out of nesting season.

Aside from his mother, Jenny – attractive, talented and secure in her cultural identity – is Jono’s rock. It is at her instigation that Jono joins an arts academy, where the story picks up the pace. It is here that the pair find themselves on a flight to western Queensland to shoot a ‘documentary’ extolling the virtues of the mining industry to the traditional custodians whose land sits above rich seams of gas ripe for the fracking.

Akhurst looks back at life in Nudgee and forward to his next writing project

@ behind the stripes, 2021

For the boy from Brisbane, the tension of mining interests, economic drivers and preservation of Country is an intriguing backdrop to the simple fact that he is making serious money for the first time in his life – money that can help his mother. This mirrors the argument of trying to better the lot of traditional owners by allowing exploitation of Country, a contemporary conflict that gives the story added social weight. Further illustrating the clash, Akhurst appears to draw upon a decade-old, contentious accusation of methane released by coal seam gas operations setting the Condamine River alight in one of the book’s more evocative scenes.

It is out west that Akhurst finds his most vivid descriptions of landscape in a tale simply told, as befits its young first-person narrator who wields slang, not metaphors. And it is out west where truths are uncovered that will irrevocably change the lives of Jenny and Jono. There is the matter, for example, of Jono’s growing attraction to his confident, mature friend. And there’s the question about that dog-headed monster that’s been haunting him of late, the visions growing in potency despite the medication he has been prescribed. And what about that enigmatic ringer so at ease in the dust and haze of the west, and tales of Dreamtime spirits that may not be as quiescent as believed?

These spirits and other totemic and symbolic meanings are the creation of Akhurst, a Kokomini writer and academic who grew up in Meanjin (Brisbane). In a note, Akhurst, who includes a Fulbright scholarship among his accomplishments, reveals extensive consultation with First Nations people in relation to this story, but he makes the point that he carefully invented settings and cultural elements to avoid appropriation.

This incorporation of beliefs, however fictionalised, and Jono’s growing understanding of their meaning and their relationship to him, are key elements of this coming-of-age yarn that sets the scene for further volumes.

At story’s end, Jenny and Jono both have quests awaiting them that provide further opportunity for social exploration as well as good old-fashioned adventure. As such, Borderland is a solid start, both for our heroes’ journey and Akhurst’s fiction career.

Reviewed by: Jason Nahrung

Ballarat Writers Inc. Book Review Group

Advanced reading copy provided by the publisher

Book review – The Bone Spindle, by Leslie Vedder

Title: The Bone Spindle

Author: Leslie Vedder

Publisher: Hachette 2022; RRP $17.99

As an American author of YA novels, Leslie Vedder is known for creating female heroes in her fantasy books. Her stories also include settings where LGBTIQ characters appear as a matter of course, without prejudice.

The Bone Spindle is a retelling of the Sleeping Beauty fairy tale, with a twist – the character cast into a deep sleep by a wicked witch is Prince Briar Rose, and his rescuer is a girl, Filore Nenroa, known as Fi.

At the beginning of the book Fi seeks a partner to assist in gathering information and relics of the past relating to magic. This role is filled by Shane, another girl. However, Shane’s main quest differs from Fi’s – she’s more interested in retrieving ancient treasures to sell for profit. The pairing is not always harmonious, but after several early adventures – including some exciting near misses – they unite to complete the quest to rescue Briar. This quest is made necessary by Fi being pricked by the same spindle that cast the spell over the prince a hundred years earlier.

Both the main protagonists, and some of the other characters, have interesting back stories – Fi is already dealing with a curse she’s had cast on her, and Shane has her own family issues to deal with because of being the elder of twins. The author neatly weaves in their histories in a series of flashbacks, providing the reader with relevant information throughout the main story.

Fairy tale retellings in 15 categories

@ once upon a bookcase

There are clever twists and turns throughout the book, with not everything being as it originally seems. The author has created an interesting mix of witches – both good and evil – villains and helpers, curses, spells, and nightmarish landscapes, which the two girls are compelled to navigate in their various quests. Relationships, both platonic and romantic, between the major characters and others are explored and developed in interesting, sometimes unexpected, ways.

While the worldbuilding in this book is done with a deft touch, it is sometimes difficult to suspend disbelief when reading about all the skills and experiences Fi and Shane have gained at their ages, 17 and 18 respectively. The book could also have done with a little more judicious editing – I’m not sure ‘chambered’ means what the author thinks it does, and it’s disconcerting to read that a poster torn from the wall and screwed into a ball in someone’s hand is somehow in shreds on the floor just a couple of lines later.

However, these are minor quibbles in a book that is a rollicking tale, with a good mix of humour and adventure, as well as the already mentioned relationship developments. As the first of a trilogy, it will be interesting to see what happens next, for, as one character says three pages from the end, ‘This is not the end … It is only the very beginning’.

Reviewed by: Elisabeth Bridson

Ballarat Writers Inc. Book Review Group

Review copy provided by the publisher

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