Tag: fantasy

Book review: A Feather So Black

Title: A Feather So Black

Author: Lyra Selene

Publisher: Hachette/Orbit, 2024; RRP: $32.99

Lyra Selene is the author of the YA duology Amber & DuskA Feather So Black is her debut adult novel.  She lives in New England with her husband and daughter.

Fia is a changeling left in place of the stolen High Queen’s daughter. The High Queen trains her to be a weapon. Fia, although eight years old when left in the princess’s place, has no memory of before. She is obviously not human but she looks like the human princess, Eala, except for her sable hair and two different-coloured eyes. She has an affinity with the forest and plants. Her only friend is Prince Rogan, Eala’s betrothed. 

Rogan and Fia find a forgotten gate to Tir na nOg and set out over almost a year (they can only cross over one night a month at the full moon) to break Eala’s curse and free her. Fia also has to find a Treasure. Early in the story Fia has a Folk creature ask her to “Mend the broken heart. End the sorrow. Give what life is left, so we may see the morrow.” This neatly sums up Fia’s ultimate task. 

The fantasy element adheres closely to Celtic tales of the Fair Folk and I only wished I’d thought to look for a glossary first instead of making up my own pronunciation for Gaelic names such as Eala and Irian. (The glossary is at the back of the book and I didn’t find it until I’d finished the story.)

The romance is equally important to, and bound up in, their quests. Fia’s tasks are complicated by her feelings for Rogan and her growing feelings for the dark Folk Gentry, Irian, who while seeming more monster than man reveals a better understanding of Fia’s nature than anyone else. Fia also learns to understand and accept her own self as her character develops and deepens throughout the story.

There is sex and violence and all that the fantasy aficionado could ask for along with a strong and steamy romantic element.

The book is 466 pages long but the writing is evocative and a pleasure to read, as this excerpt shows:

“Inside the tiered grotto surrounding the greenhouse, the world had cracked open, letting light inside. Winter branches were furred with new leaves. Crocuses in red and purple lolled their heads. The air smelled of moss and fresh beginnings.”

I thoroughly enjoyed this tale and my only regret is that I now have to wait for the second instalment, A Crown So Silver, Book 2 of The Fair Folk.

Reviewed by: Marian Chivers, April, 2024

Ballarat Writer Inc Book Review Group

Review copy provided by the publisher

  • Marian Chivers has a lifelong interest in reading and writing with her work and study involving books from children’s literature to postgraduate studies.

Book review — The Tangled Lands, by Glenda Larke

Title: The Tangled Lands

Author: Glenda Larke

Publisher: Wizards Tower Press, 2023; RRP: 22 pounds stg

A new Glenda Larke novel is always welcome on the shelf; her The Aware – the first book in the first of her four trilogies to date – remains a firm favourite, and each of her subsequent works has shown similar skill at world building, character development and accomplished storytelling.

Larke was raised in and has returned to Western Australia, via Tunisia and Malaysia, and while she has mined those landscapes for her work, The Tangled Lands offers a more conventional European-style fantasy setting. One of Larke’s world-building strengths is the use of vernacular, drawing on the landscape and culture to add to the verisimilitude of the world’s culture. The occasional use of dialect harking to the real world undercuts this in parts here, but is overshadowed by the charm of sayings such as ‘pox n rot’ and ‘blind as a flea in a rabbit hole’.

Similarly to her first novel, the striking standalone Havenstar (1999), an intriguing magic system helps further differentiate the world, being entwined in both society and plot.

In the Tangled Lands, the magic is wielded by the redweavers of Kanter, considered a threat to Talodiac, who does its best to keep the magic users out. The redweavers are able to traverse distances by way of magical portals and can also use their magic to form compelling illusions. Talodiac’s priests, serving their strange deities, want none of that business interfering in the smooth running of their kingdom, and King Edwild agrees. Especially when the redweavers strike close to home.

The novel is divided into parts, each devoted to largely a single point of view in what is an elegant way to piece together the narrative from different characters’ experiences, whether separate or shared. Having one character scribing his experience in the first person is a nice diversion from the third person elsewhere. Pervaded as it is by the threat of an execution, the section also builds that character and the reader’s empathy for him while slotting neatly into the contest of cloak and dagger.

Glenda Larke on trilogies, landscape and her writing process

with jane routley, 2016

The first part of the novel works as a prologue, setting up the seismic events that follow. Enter Sergeant Hervan of the King’s Guard, serving his liege with rigid loyalty, even as his family is drawn deeper into a world-changing conspiracy. His son, Taygen, possessed of a strong throwing arm and certain lack of caution, becomes a counterpoint as he encounters the wanderers Haze and Innata, each with their own cloaked pasts. He finds himself caught in the classic quandary of fealty versus … let’s call it instinct, for his motivations are unwrapped delightfully upon the page and don’t need labelling here.

As one might expect in a tale of intrigue and royal shenanigans, not all is at it seems, and deception is not confined to the redweavers as the two lands are drawn inexorably together as the plot unwinds. For Taygen and Haze in particular, it is a path  of discovery as they find their place in the world and come to terms with their pasts. As the world and our protagonists reveal their layers of secrets, the story marches to its grand showdown with the fate of two lands in the balance.

It’s likely that some of the big reveals won’t come so much as a surprise but a confirmation of the reader’s suspicions, but The Tangled Land manages to dodge some of the obvious expectations to deliver another fine, entertaining addition to the Larke bibliography.

Reviewed by: Jason Nahrung

Ballarat Writers Inc. Book Review Group

Book review – The Bone Spindle, by Leslie Vedder

Title: The Bone Spindle

Author: Leslie Vedder

Publisher: Hachette 2022; RRP $17.99

As an American author of YA novels, Leslie Vedder is known for creating female heroes in her fantasy books. Her stories also include settings where LGBTIQ characters appear as a matter of course, without prejudice.

The Bone Spindle is a retelling of the Sleeping Beauty fairy tale, with a twist – the character cast into a deep sleep by a wicked witch is Prince Briar Rose, and his rescuer is a girl, Filore Nenroa, known as Fi.

At the beginning of the book Fi seeks a partner to assist in gathering information and relics of the past relating to magic. This role is filled by Shane, another girl. However, Shane’s main quest differs from Fi’s – she’s more interested in retrieving ancient treasures to sell for profit. The pairing is not always harmonious, but after several early adventures – including some exciting near misses – they unite to complete the quest to rescue Briar. This quest is made necessary by Fi being pricked by the same spindle that cast the spell over the prince a hundred years earlier.

Both the main protagonists, and some of the other characters, have interesting back stories – Fi is already dealing with a curse she’s had cast on her, and Shane has her own family issues to deal with because of being the elder of twins. The author neatly weaves in their histories in a series of flashbacks, providing the reader with relevant information throughout the main story.

Fairy tale retellings in 15 categories

@ once upon a bookcase

There are clever twists and turns throughout the book, with not everything being as it originally seems. The author has created an interesting mix of witches – both good and evil – villains and helpers, curses, spells, and nightmarish landscapes, which the two girls are compelled to navigate in their various quests. Relationships, both platonic and romantic, between the major characters and others are explored and developed in interesting, sometimes unexpected, ways.

While the worldbuilding in this book is done with a deft touch, it is sometimes difficult to suspend disbelief when reading about all the skills and experiences Fi and Shane have gained at their ages, 17 and 18 respectively. The book could also have done with a little more judicious editing – I’m not sure ‘chambered’ means what the author thinks it does, and it’s disconcerting to read that a poster torn from the wall and screwed into a ball in someone’s hand is somehow in shreds on the floor just a couple of lines later.

However, these are minor quibbles in a book that is a rollicking tale, with a good mix of humour and adventure, as well as the already mentioned relationship developments. As the first of a trilogy, it will be interesting to see what happens next, for, as one character says three pages from the end, ‘This is not the end … It is only the very beginning’.

Reviewed by: Elisabeth Bridson

Ballarat Writers Inc. Book Review Group

Review copy provided by the publisher

Book review – Silent Sorrow, by Russell Kirkpatrick

Author: Russell Kirkpatrick

Title: Silent Sorrow – The Book of Remezov Volume 1

Publisher: IFWG, 2021

A highlight of Russell Kirkpatrick’s fantasy fiction is the world building. As one might expect from a geography lecturer and cartographer (and accomplished novelist, with two previous trilogies under his belt), he knows how to express the lay of the land and the cultures it supports.

Kudos to the publisher for supporting Kirkpatrick, a Kiwi now resident in Australia, in going the extra mile in this first book of a new series.

Not only does he use weather, topography, flora and fauna to imbue his world with a tangible sense of reality, but he illustrates key moments too – with maps, naturally.

Given the titular character is a gifted geographer specialising in earthquakes, such attention to detail is not surprising, but seeing the drawings of this and other characters’ observations adds an extra touch of verisimilitude to this sprawling yarn of a continent under siege.

Silent Sorrow opens with Remezov encountering the threat coming from over yonder as he battles the politics of his order, such hierarchical contests quickly subsumed under the weight of an invasion of mythic proportions.

Then a flick, and a flick again, as the other point-of-view cast members go through their own rites of passage – the siblings Spit and Polish and the talented soldier Hab bring fresh eyes to the threat hanging over Medanos.

Inexorably, the paths of the four converge, revealing along the way the strengths and weaknesses of each as they are caught up in the deeper battle between reason and belief.

Read a short interview with Russell Kirkpatrick

at the 2020 Australian SF snapshot project

Not quite as effective as the maps is the attempt to show simultaneous action by splitting the page into two columns; the technique is the only point of disruption in an otherwise smooth narrative flow, the text enhanced by gems of description that only rarely overreach.

Book 1 lays the groundwork for its successors while delivering a satisfying and suitably significant climax of its own, more than sufficient to entice the reader to resume the journey. There is plenty of world – and character – left unexplored, and Kirkpatrick is an eminently capable guide.

Given that Silent Sorrow’s publication date was set back from 2020 by the turmoil of the pandemic, one trusts the next instalment is not too far distant.

Reviewed by: Jason Nahrung

Ballarat Writers Inc. Book Review Group

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